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Lore Of Jivavarta: Vakshi Monastery

 Medini, the goddess of birth and death, rising before families in the jungle. A visual representation of the 'Lore Of Jivavarta: Vakshi Monastery' narrative, showing her mystical form that is neither woman, man, nor tree, symbolizing her deep connection to the jungle's secrets."

The Broken Promise

Long ago—so long that even the oldest stories were only beginning to form their first words. Thats when the great war of Jivavarta began and no kingdom, no place, and no town was safe.


Few families fled the war, until they stumbled upon the jungle of Vakshi, where the air was mystic with the breath of ancient trees.


Those trees were not just trees; their trunks bore the knowledge of centuries, and their leaves whispered wisdom.


Deep among them lived Medini, the goddess whose roots touched every birth, every death, and every trembling secret of the jungle. When she rose before the families, her shape was neither woman, nor man, nor even tree, but something that hovered between the three.


Watercolor illustration of refugee families fleeing the War of Jivavarta, walking through the dense, rain-soaked Vakshi jungle. The group includes women carrying infants and men carrying burdens on a muddy path.


“We will shelter you,” Medini whispered in a voice that sounded like a thousand leaves rustling together. “What will you give us in return?”


The family leaders answered, “We will look after your children. We will plant a forest larger than the one we shelter in. We will not spill blood here, not even in anger.”


Medini, who knew the worthlessness of promises given during difficult times, accepted it nonetheless. For even a false promise sounded sweet compared to the cries of war outside the jungle.


The Village and the Broken Vow


The refugees built their first village by a river that ran clear enough to reflect a person’s hidden heart. In the mornings, the elders greeted the trees as if greeting older relatives; in the evenings, they whispered apologies to the younger trees which were bent by the winds. For generations, the treaty held. The jungle watched them grow, and the villagers watched the jungle breathe.


But promises are delicate things, more fragile than a newborn sprout. As years turned into centuries, the single village grew into a city, and around the city grew many more villages.

The people of Vakshi, drunk with wealth, prosperity, and the illusion of permanence, forgot the gratefulness with which their ancestors once touched the earth. Temptation arrived not with demons, but with axe and greed.


A split watercolor illustration: The top panel shows robed figures standing before the Vakshi Monastery, a grand domed temple. The bottom panel shows a large, bloody, sacred tree being chopped down by a golden axe in a desolate forest, symbolizing the start of the destruction.


“It’s only one tree,” they told themselves when they cut the first tree. Then one became a hundred. And a hundred became the skeleton of the jungle. Every tree felled made the jungle inhale more sharply. A terrible repetition settled over the land, brothers killing brothers, sons killing fathers, the same sins twisting through generations like a cursed song. Yet the people continued, blind to the way the shadows of trees lengthened under Medini’s gaze.


The Reckoning


One morning, though some say it happened at midnight, the jungle withdrew its borrowed silence. The river swelled, not with water, but with thick red mud, the kind that remembered every footprint ever made upon it. The roots of trees rose from below like serpents waking up from ancient sleep. Mountains, those creatures of stone that rarely moved, dragged themselves into new shapes, burying entire villages under their indifferent weight.


A dark watercolor illustration showing the devastation of the Vakshi kingdom. A temple complex on a mountain slope is being destroyed by a massive flow of red, blood-like floodwater and mud, symbolizing the jungle's revenge. Lightning strikes under a dark sky, and dead, weeping trees frame the scene of destruction in Jivavarta."


It was not merely destruction. It was obliteration.


The jungle swallowed Vakshi’s kingdom whole, tree by tree, breath by breath, until nothing remained but stories carried by the wind. Floods followed landslides, landslides followed floods. Jivavarta braced itself, for it seemed that all jungles would soon awaken into the same righteous fury.


The God-King’s Plea


Far away, in the kingdom of Rongcha, the God-King—successor of Supreme God Sarvabhu, whose eyes were said to mirror past and future simultaneously—understood that if Vakshi’s wrath spread, Jivavarta would again drown in the wars it had once barely survived.


He went to the heart of the devastated jungle, unarmed and alone.


A watercolor ink wash illustration depicting the God-King of Rongcha, kneeling in a moment of devastation and heavy rain, wearing golden Indus Valley-inspired attire. He is surrounded by ruin, pleading for the creation of the Vakshi Monastery for peace, while families flee in the background under a swirling, dark storm.


“Medini,” he said, kneeling amid uprooted trees, “let me build a temple where your name will be breathed like a prayer. A monastery where all faiths may study the peace you once offered. Let trees be planted there in your honor. Let no blood ever touch its soil.”


Medini listened, for even gods grow tired of their own anger. Slowly, the roots relaxed, the rivers went back to their own way, and the jungle allowed the world to breathe again.


Thus arose the monastery town called Vakshi, a place where students of every religion walk under the shade of trees planted with their own hands, and where even disputes are whispered for fear that the leaves might overhear.


A bird's-eye view, watercolor-ink wash illustration of the vast Vakshi Monastery Town built atop a huge, rugged ancient mountain. The town features distinct temples and stupas, separated by pathways and surrounded by dense jungle, trees, vines, and bushes with flowers. The homes are inspired by ancient Indus Valley architecture. Lore Of Jivavarta: Vakshi Monastery by shon mehta

The jungle remains calm to this day, so long as no blood is spilled and no tree is cut. For Medini’s  final warning echoes through every branch and every prayer. At the entrance of Vakshi’s gate:


“He who sheds blood within the monastery shall be undone by betrayal from his own kin.”


And no one in Vakshi doubts that the trees remember.



Jivavarta is a fictional land created by Shon Mehta, where epic tales of power, survival, and social upheaval unfold, as seen in her novels The Timingila and Lair of the Monster, along with many other stories and parables set in this richly imagined world.



5 comments:

  1. Honestly, this is peak lore-building vibes.

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  2. The jungle is basically the judge here. That mix of old myths, right-and-wrong stuff, and magic makes it feel deep and spooky

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  3. It's all so simple and complicated and beautiful at the same time

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  4. Jivavarta is rapidly becoming my favorite fictional world because it’s consistent—its rules hold. It has depth and a mythos, history, growth, and the richness of a place that feels lived in. And there’s always the hint of more, lives continuing beyond the story’s end.

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  5. What are the relationships/ dynamics between gods of Jivavarta?

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